• Rosina in Il Barbiere di Siviglia
    "Vivid mezzo-soprano Sarah Nordin meets daunting vocal hurdles with ease and wit as the crafty Rosina"
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  • Isabella in L'Italiana in Algeri
    "The outstanding Sarah Nordin gave simply one of the finest performances of this role I have seen. Vocally ravishing she energized this spirited character"
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  • Charlotte in Werther
    "Sarah Nordin sang beautifully. Because of the excellence of her line and the beauty of her voice, we believed what she said, and had deep sympathy for her. For me hers was the elegant performance of the evening."
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  • Maddelena in Rigoletto
    “Sarah Nordin as Maddelena, the wonderfully sympathetic yet cold as ice sister of Sparafucile, was fabulous with a great lilting voice that conveyed the understanding and the menace all at once-- great work!!!”
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  • Orlofsky in Die Fledermaus
    “Lush-voiced mezzo-soprano Sarah Nordin was outstanding as the comically bored Prince Orlofsky, unfazed by the challenges of this gender-bending role.”
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  • Flora in La Traviata
    "The standout performance of the evening was given by Sarah Nordin as Flora"
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  • Carmen in Carmen
    “Sarah Nordin brought the true spirit of Carmen to our stage"
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  • The Waitress in Speed Dating
    "Sarah Nordin displayed solid vocal technique and spot-on comic timing.”
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  • Zerlina in Don Giovanni
    “As the peasant couple Zerlina and Masetto, Sarah Nordin and Tyler Putnam are delightful singing actors: she steals our hearts as well as his.”​
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  • Dorabella in Cosi fan tutte
    “Sarah Nordin was a suitably ditsy and convincingly teen aged Dorabella with a rich mezzo-soprano that fit Mozart’s music like a glove.”
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  • Cherubino in Le Nozze di Figaro
    "Splendid singing by Sarah Nordin. She handled her arias with considerable poise and polish, milking the comic moments in de Ponte’s libretto along the way.”
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  • Marcellina in Le Nozze di Figaro
    “Nordin handled the high coloratura passages of Marcellina’s aria with agile fervor and seemingly endless breath support.”
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