“Sarah Nordin displayed solid vocal technique and spot-on comic timing.”​

   Opera News​​​​​​​​​​​​

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“Sarah Nordin’s unembellished emotional finale was delivered with chills and determination allowing everyone in the audience to know that all in the world will be okay and that live theater will return better and stronger than ever despite the pandemic that has crippled it.”

   NBC Channel 2​​​​​​​​​​​​

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“Whether it is Rossini’s intricate roulades or his soaring arcs of melody, no greater joy could be imagined than to hear Sarah Nordin as Rossini’s radiant and forgiving heroine.”

   Finger Lakes Times​​​​​​​

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"Vivid mezzo-soprano Sarah Nordin meets daunting vocal hurdles with ease and wit as the crafty Rosina."

   Finger Lakes Times

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“Sarah Nordin was a suitably ditzy and convincingly teenaged Dorabella with a rich mezzo-soprano that fit Mozart’s music like a glove.”

   St Louis Post

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“Nordin handled the coloratura passages  with agile fervor and seemingly endless breath support.”

   Berkshire Fine Arts​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​

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“Sarah Nordin commanded the stage with a world-class voice that can best be described as nothing less than celestial as she allowed us to relive the golden era of Broadway” 

   NBC Channel 2 

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“ The Dorabella of this production was the outstanding Sarah Nordin who gave simply one of the finest performances of this role I have seen.  Vocally ravishing she nevertheless energized this spirited character by deftly balancing the cathartic anger and fear which motivate her – this was all contained in her scena “Ah, scostati… smanie.”   

  Blakes opera blog

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"It was the mezzo Sarah Nordin as Sorrine Olsa, eagerly awaiting the arrival of Per and Beret as the opera opens, who made the strongest impression vocally, singing

with plenty of presence and projecting glinting tone."

  Opera News